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Martial Arts of the Philippines - Blintawak International
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Balintawak Eskrima
By Sam L. Buot Sr.

Grandmaster Sam Buot is the eldest surviving student of Anciong Bacon’s original Balintawak Eskrima group from Cebu, Philippines. He is a true enthusiast of Filipino martial arts and has served as unofficial historian of the Balintawak style, having studied under the tutelage of Grandmaster Venancio Bacon, Jose Villasin, Teofilo Velez and Teddy Buot since the late 1950s. At 78, Sam is now retired and teaches eskrima in his backyard in Phoenix, Arizona.

260 Pages * 670 Photos * 102 Techniques * 11 Drills

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“Grandmaster Sam Buot is one of the few survivors of the original students of the late Grandmaster Anciong Bacon. His techniques and knowledge are direct from the masters. If there is anyone who can teach them to the world, it is Atty. Sam Buot.” - GM Bobby Taboada

“In this dense volume, Sam Buot takes the reader on a deep journey into the belly of Balintawak Eskrima. This book does more than any other to establish the legacy of GM Anciong Bacon and his Balintawak system.” - Dr. Mark V. Wiley

The art of Eskrima stick fighting is indigenous to the Philippines. It was in the 1950s that one of the most popular styles emerged: Balintawak Eskrima. According to author Sam Buot, to appreciate Anciong Bacon’s Balintawak Eskrima, you have to understand set-ups, anticipation, the art of outwitting through ruses and lures; economy and simplification of motion, sans lavish and squandered movements; effective strikes fused and bonded with speed, power, elegance and grace. That is the essence of Anciong’s Balintawak and these are the methods Buot explains and demonstrates in this book.

Written largely from the author’s personal experience and hard-earned knowledge, Balintawak Eskrima presents the art from origin to modern times, as a fighting art, as cultural tradition and as a means of personal development. Illustrated with nearly 1,000 photographs—historical and instructional—this book outlines the art’s defensive stage, training drills, offensive stage, strategies of application, disarms, empty hand techniques, knife fighting in proper perspective, and an overview of how the art has grown internationally and where it seems to be headed.

“This book is a treasure trove of knowledge and a book which will be considered one of the best, if not the best, book on Balintawak.” - FMA Informative